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Forms of configuration of a material

Principle of " the turned pyramid » in hypertext space

In the beginning it is necessary to result the brief report (lid), allowing visitors to make a common view about the information contained on page, even in the event that they will not familiarize with all this information to the full.

Then it is necessary to pass gradually to details. The main thing that the user could interrupt reading at any moment and thus to know, what question is considered{examined} in this chapter{head}.

Inside "pyramid" the stream of the information usually accepts such form:

* The Lid-resume, based on that fact about which there is a speech / production question / acquaintance with a subject of clause{article}.

* 2-4 paragraphs in which the fact / ?«»?«?/???? is stated in more detail.

* Paragraph - background or a paragraph - sheaf which connect the fact / ?«»?«?/???? with that that occured earlier.

* The additional information on the fact / ?«»?«??/???? of clause{article}.

* The additional information on background or the further prospects of succession of events.

Other forms of configuration of a material

* Chronology. The ambassador lida the material is stated in that order in which there were events.

* A serial or a sequence. The ambassador lida divide{share} a material on podtemy and consider{examine} each of them by turns. The ending should connect them in a single whole.

* The long form. The introduction into the form genre scenki or an example from a life are given before a statement of events. Do not stretch{drag out} this lid, differently the reader can not give attention to the rest.

* A pressure{voltage}. Return turn of " the turned pyramid » - an ending « with a surprise ». You tell about happened, but results hold up to last paragraph. This variant is used seldom, but he is good for events which course is intricate or comical.

* A sketch. Here your purpose - not only to allow the information, but also to share impressions. The factor of time not so is important, as personal or universal problems. You need to draw a picture in imagination of the reader. Allocate the central parcel{sending}, designate her{it} right at the beginning and develop during clause{article}. Around of this central parcel{sending} create a lace from supervision, jokes, analogies, examples, citations and descriptions that the picture became integral.

* The analysis. The form is usually those: a) the description of a problem: b) opinions of people involved in her and positions borrowed{occupied} with them; v) your reasons concerning the further succession of events and an end result. The comment advances the analysis on a step forward: the author also takes the certain position.

* Headings - columns and reviews. Here there is an incalculable set of forms. Everything suits, that concerns the reader, carries out the purposes of the author and is masterful is written.